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THAILAND INSTRUMENTS
(Source:
http://www.asza.com/inaw.shtml)


Naw or Hulusheng
  [Country: Thailand/China]
Found in Southern China and in the mountains of northern Southeast Asia, the "naw" or "hulusheng" (literally meaning gourd "sheng") is perhaps one of the oldest members of the "sheng" family. It is played by a number of the hill tribes or minority people of the region including the "Yi", "Lahu" and "Lisu" peoples. It has five pipes in a circular cluster, whose open ends appear flush with the bottom of the gourd wind chamber. It allows the player to make the notes tremble (called tremolo technique) by slowly covering the ends of the pipes with the right thumb while playing. The technique to play this instrument is difficult, but the music heard is very lively and quite loud. Traditionally this instrument also played a coded language used by unmarried people to talk with.

Ata
  [Country: Thailand]
"Ata" are bamboo jaw harps of the "Lahu" people of Southern China, and northern South East Asia. They are played in pairs and are attached to each other by a common string that also attaches the harps to their bamboo carrying case. "Ata" are primarily used for courting and are found in two different tunings, a fourth and a fifth apart, each with a different function. Instruments tuned a fifth apart are used for more intimate conversations between young people and are taken up after the young people have used the "naw" or "hulusheng" mouth organ to get acquainted. Instruments tuned a fourth apart are used by older people to rekindle the feelings of youth, or for divorced or widowed people to attract to new mate. The higher pitched "ata" of the pair is considered a female instrument and the lower one a male. When played together, a musical code is used to communicate with each note corresponding to a spoken syllable. Unfortunately, like elsewhere in the world, these practices are disappearing and now these instruments are made mostly for tourists and are found in abundance in the markets of Chiang Mai in Thailand. This instrument was collected in Chiang Mai region in 1984.

Pi Joom, Pi So, or Pi Chum
  [Country: Thailand]

The "pi joom", "pi so", or "pi chum" is a single free reed pipe with finger holes similar to the Chinese "bawu". It is commonly played as an ensemble of four "pi joom" of varying lengths in Northern Thailand, yet there are versions also played by the "Poothai" people of Northeast Thailand. The "pi joom" differs from the Chinese bawu in that the player must put the whole end of the instrument in their mouth at an oblique angle to cover the reed. Until only recently the "pi joom" was almost extinct, but thanks to the efforts of the traditional music programs in the Chiang Mai music academies, many instruments from the region are enjoying a revival. "Pi joom" are similar in construction to the "dja mblai" of Vietnam. *AJI




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In your opinion, what will music instruments be like in the future?
(poll was conducted at
SMAK 7 BPK PENABUR by
Michael Wehandy)


A. More digitalized (65%)

B. Unpredictable music instruments invented in the future (13%)

C. Simpler and unique (11%)

D. Still being the same like now (8%)

E. Become irrelevant and extinct (3%)

 



Title:
Practice Makes Perfect


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